Everything everywhere all at once

 Everything everywhere all at once

Everything everywhere all at once

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 Everything everywhere all at once

‘Everything Everywhere All at Once’ explained: Hot dog hands, empathy challenges and meaning in the absurd
From IRS audits to conscious rocks, hot dog hands and more, the mundane and the silly collide deep in Michelle Yeoh's sci-fi action flick "Everything Everywhere All at Once." A24 which has received critical acclaim at times. first. in limited release last month.

Where do all these crazy ideas come from? Well, where do the ideas come from? Ask filmmaking duo Daniel Kwan and Daniel Scheinert, known as the Daniels, and they might have a different answer every day.

On this particular afternoon in this particular universe, as they zoom together in Kwan's slightly crowded home office in Los Angeles, they draw a line that goes back to his last film, "Swiss Army Man", a comedy-drama comforting of 2016 on the human. connection that Scheinert modestly describes. like his "feature about a farting corpse".

“We showed it to our parents and it sparked a lot of conversations,” said Scheinert, who along with Kwan has spent a decade building their quirky brand around stunning music videos, short films and feature films. "He made us think: why do we feel the need to do something so strange and why is it so difficult for our parents to discover it?"

"Everything Everywhere All at Once" follows Evelyn Wang (Yeoh), a woman who suffocates under the stress of her family's bad clothes, her failing marriage to Waymond (Ke Huy Quan), and the elderly father (James Hong). who disapproves of his life choices. But it is the growing rift between Evelyn and her daughter Joy (Stephanie Hsu) that threatens to unravel the fabric of existence when she discovers that she is just one in a vast Evelyn multiverse, and the only one who can save him.
In Hollywood’s most original sci-fi multiverse to date, practically every scene is filled with details epic and silly. Here — spoilers ahead — Daniels zero in on how they cooked up some of their wildest ideas and found beauty and meaning in the absurd.

Written in 2016, “Everything Everywhere” was in part a product of the “contradictions and emotional whiplash” of being very online at the time. “The internet had started to create these alternate universes,” said Kwan. “We were for the first time realizing how scary the internet was, moving from this techno optimism to this techno terror. I think this movie was us trying to grapple with that chaos.”

Daniels credit their style and tone to the “weird algorithm” that fed them a steady diet of unconventional YouTube videos, influencing their own absurdist shorts and hit videos like DJ Snake’s “Turn Down for What,” in which people rhythmically hump-crash their way through an apartment high-rise.

But as they kept dreaming up crazy concepts sure to rack up views, they realized: “We should be saying something meaningful, because this stuff takes a lot of effort.”


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